As the kids grow and more snippets of time become available in the day and night, I've actually been able to snatch some moments to actually watch some DVDs. Realize friends: this is something I've not been able to do on a consistent basis for 10 years.
Before kids, I was up all night watching laser discs, cable or a rented VHS.
After kids, nada.
Yet, keep in mind: I would never -- ever -- trade it for the world. Movies, since the birth of our kids, have taken a far backseat to life's priorities. Plus, maturity tends to put things in priority as well. I mean, really, in the scheme of things, who gives a flying shit about Brokeback Mountain. I'd rather take my kids to pee-wee basketball practice than see the latest "must-see" film of the year.
And, this is coming from a guy who -- pre-kids -- watched, at least, 150 films a year.
That said, Brokeback Mountain was a poetic and affective piece of filmmaking, wholly deserving of the accolades that have come its way. After reading the Annie Proulx short story, BM is one of the rare movies that not only adds to its source material, but also completes it in a manner that expands the story in meaningful and natural ways. Regardless of the stance you take, BM is a beautiful piece of work. While everyone pounces on the "gay cowboy" aspect of the piece, one of the most affective tragedies of the story concerns the affects of the denial of Ennis's love for Jack, and the cost his own family (and Jack) pays.
Is it the best film of 2005? I have no idea. I haven't seen Junebug; Crash; The Squid & the Whale; Match Point; Munich; Walk the Line; Broken Flowers; Good Night, and Good Luck; Paradise Now; 2046; and many others. I do think Syriana is, in the long run, a better film, and Capote is close behind. Grizzly Man is also a fascinating piece of cinema that was completely screwed in the Oscar's Documentary race. It's way past time that Werner Herzog is recognized for his uncompromised and consitent genius. The fact that Grizzly Man was bent over a barrel in the Oscar documentary category is pathetic.
Before kids, I was up all night watching laser discs, cable or a rented VHS.
After kids, nada.
Yet, keep in mind: I would never -- ever -- trade it for the world. Movies, since the birth of our kids, have taken a far backseat to life's priorities. Plus, maturity tends to put things in priority as well. I mean, really, in the scheme of things, who gives a flying shit about Brokeback Mountain. I'd rather take my kids to pee-wee basketball practice than see the latest "must-see" film of the year.
And, this is coming from a guy who -- pre-kids -- watched, at least, 150 films a year.
That said, Brokeback Mountain was a poetic and affective piece of filmmaking, wholly deserving of the accolades that have come its way. After reading the Annie Proulx short story, BM is one of the rare movies that not only adds to its source material, but also completes it in a manner that expands the story in meaningful and natural ways. Regardless of the stance you take, BM is a beautiful piece of work. While everyone pounces on the "gay cowboy" aspect of the piece, one of the most affective tragedies of the story concerns the affects of the denial of Ennis's love for Jack, and the cost his own family (and Jack) pays.
Is it the best film of 2005? I have no idea. I haven't seen Junebug; Crash; The Squid & the Whale; Match Point; Munich; Walk the Line; Broken Flowers; Good Night, and Good Luck; Paradise Now; 2046; and many others. I do think Syriana is, in the long run, a better film, and Capote is close behind. Grizzly Man is also a fascinating piece of cinema that was completely screwed in the Oscar's Documentary race. It's way past time that Werner Herzog is recognized for his uncompromised and consitent genius. The fact that Grizzly Man was bent over a barrel in the Oscar documentary category is pathetic.


